Jump to content tickets Member | Make a donation
- The Collection
- The American Wing Ancient Near Eastern Art Arms and Armor The Michael C. Rockefeller Wing Asian Art The Cloisters The Costume Institute Drawings and Prints Egyptian Art European Paintings European Sculpture and Decorative Arts Greek and Roman Art Islamic Art Robert Lehman Collection The Libraries Medieval Art Musical Instruments Photographs Antonio Ratti Textile Center Modern and Contemporary Art
Crop your artwork:
Scan your QR code:
Gratefully built with ACNLPatternTool
On loan to The Met The Met accepts temporary loans of art both for short-term exhibitions and for long-term display in its galleries.
Michelangelo Buonarroti Italian
On view at The Met Fifth Avenue in Gallery 503
The iconography of this idealized youth makes him difficult to identify. Like Cupid, he has a quiver but there is no sign he ever had Cupid’s traditional wings. The statue is first recorded in 1556 at the house of Jacopo Galli in Rome, where the work is identified as Apollo. Galli is known, however, to have owned a Cupid sculpted by the young Michelangelo. So it is significant that by 1650, when the figure occupied a garden niche at the Villa Borghese, Rome, he had been retitled Cupid. By 1902 the sculpture was gravely damaged. Nonetheless the dealer Stefano Bardini recognized it as Michelangelo’s work when he offered it at auction in London, but this attribution was soon forgotten or discounted. It was later purchased by the architect Stanford White and installed on a fountain at the Fifth Avenue mansion of Mr. and Mrs. Harry Payne Whitney, today the office of the Cultural Services of the French Embassy in New York, where only recently it was recognized as Michelangelo’s lost Cupid.
This artwork is meant to be viewed from right to left. Scroll left to view more.
Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.
Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.
Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.
Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.
Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.
Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.
Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.
Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.
Detail
Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.
Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.
Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.
Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.
Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.
Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.
Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.
Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.
Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.
Artwork Details
Use your arrow keys to navigate the tabs below, and your tab key to choose an item
Title: Cupid
Maker: Michelangelo Buonarroti (Italian, Caprese 1475–1564 Rome)
Date: ca. 1490
Culture: Italian, Florence
Medium: Marble
Dimensions: Overall (wt confirmed): H. 37 x W. 13 1/4 x D. 14 in., 177lb. (94 x 33.7 x 35.6 cm, 80.2867kg)
Classification: Sculpture
Credit Line: Lent by the French State, Ministry of Foreign and European Affairs
Accession Number: L.2009.40
Learn more about this artwork
Timeline of Art History
Essay
Anatomy in the Renaissance
Essay
Gian Lorenzo Bernini (1598-1680)
Essay
Mannerism: Bronzino (1503-1572) and his Contemporaries
Essay
Renaissance Drawings: Material and Function
Essay
The French Academy in Rome
Essay
The Papacy and the Vatican Palace
Essay
The Papacy during the Renaissance
Essay
Venetian Color and Florentine Design
Chronology
Florence and Central Italy, 1400-1600 A.D.
Museum Publications
Michelangelo: Divine Draftsman and Designer
Related Artworks
- All Related Artworks
- In the same gallery
- By Michelangelo Buonarroti
- European Sculpture and Decorative Arts
- Marble
- Sculpture
- From Europe
- From Florence
- From Italy
- From Tuscany
- From A.D. 1400–1600
Rebellious Captive
After an original by Michelangelo Buonarroti (Italian, Caprese 1475–1564 Rome)
1505–45
Haman
After Michelangelo Buonarroti (Italian, Caprese 1475–1564 Rome)
n.d.
Dawn
After an original by Michelangelo Buonarroti (Italian, Caprese 1475–1564 Rome)
1521–34
Moses
After an original by Michelangelo Buonarroti (Italian, Caprese 1475–1564 Rome)
1505–45
Pietà
After an original by Michelangelo Buonarroti (Italian, Caprese 1475–1564 Rome)
1550–55
European Sculpture and Decorative Arts at The Met
The Met's comprehensive collection of European sculpture and decorative arts reflect the development of a number of art forms in Western European countries from the early fifteenth through the early twentieth century.